Red Light, released on September 30, 1949, is a film-noir treat from director Roy Del Ruth that features stylish cinematography as well as many of the elements that distinguish the genre. An able cast headed by George Raft and a “will he or won’t he” question that is only resolved at the end of the final scene make this a noir thriller of note.
At its core, the plot is about revenge: an embezzler for his incarceration and his accuser for the wanton killing of his beloved brother. A religious undertone helps knit the plot together from beginning to end.
The lead role was originally intended for Frank Sinatra, an adept actor at hardboiled characters, but George was equally well-suited for the resolute trucking company owner. Though this was Del Ruth’s only film-noir, it was his fourth film directing George and he knew exactly how to bring out a well-wrought performance.
George handled his scenes as a tough, driven man with strength and nuance. His character deals with grief over the death of his brother just as any man of the era would have, stoically burying emotions that nevertheless erupt at key moments. Often underrated, he delivered fine performances for good directors and opposite able co-stars. Red Light provided both.
In this film, Raymond Burr and Harry Morgan play the over-the-top villains who provoke strong audience revulsion, but that is why they were cast. Gene Lockhart is a gem as George’s righthand man who tries to guide him back from his revenge filled intentions.
Film critic Dennis Schwartz wrote, “The film held my interest mainly because this was a perfect part for Raft and it was well-crafted.” The Los Angeles Times called the film “a taut, exciting melodrama”.
Red Light is a solid entry in the film-noir genre and a memorable role for George. Many of his films have been lost to contemporary audiences, but you can view dozens of them from the movies section of this site.
